Overheard

river in November light between bare woods and mountain
I hear her the first time before I turn
the corner, walking through the refrigerated
section and shelves still stacked with butter

blocks, cardboard boxes of eggs, seasonal
peppermint- and mocha-flavored creamers.
Leave me alone, no, you leave me alone

the inflection of anger in her voice somehow
incongruous with the almost languid way she
pushes her cart and considers a bag of frozen

peas. Leave me alone, she repeats into her phone
as she makes the rounds for her grocery items.
Other shoppers keep their distance and avoid

eye contact. When did we not exist in
a time of conflict that didn't trickle down
into the minutiae of our lives? I go in solitude

so as not to drink out of everybody's
cistern
wrote Nietzsche, afraid the world
might rob him of his soul. What strikes me

is that she keeps the line open, doesn't
cut off the connection, then put her phone
on silent. Not a big anger, perhaps—

Its audible tip, just enough to pierce the air
toward a listening. Just enough so the curious
soul leans a little way out of its bunker.

Consoled

Sam Pepys and me

From a very hard frost, when I wake, I find a very great thaw, and my house overflown with it, which vexed me.
At the office and home, doing business all the morning. Then dined with my wife and sat talking with her all the afternoon, and then to the office, and there examining my copy of Mr. Holland’s book till 10 at night, and so home to supper and bed.

from a hard wake
I find my overflow

with my wife
talking it all off


Erasure poem derived from The Diary of Samuel Pepys, Friday 12 December 1662.

Greater and Greater Things

river in November light between bare woods and mountain
Like a tent, like a tarpaulin, 
like the roof that held each

thing in. Across my belly though
fainter now, brown marks

that stretched my skin from
inside, each time my womb grew

to house a child. Let everything
happen to you
, said Rilke—

and I, a kind of vessel life
will fill and burst and fill

again, if it doesn't defeat
me. I thought it was my duty

not to break this cycle.
But really, not to break.

Dusk, December

river in November light between bare woods and mountain
Almost the longest night. 
Before real darkness arrives,
travelers set out.

*

Some leave, some arrive.
Flaggers waving lit-up wands
before the train station.

*

For a few moments,
the silhouettes of trees pressed
against the sky's burning throat.

*

Domestic vs. extravagant
space: a parade of placid geese
not yet leaning into the wind.

Weighty

Sam Pepys and me

Up, it being a great frost upon the snow, and we sat all the morning upon Mr. Creed’s accounts, wherein I did him some service and some disservice. At noon he dined with me, and we sat all the afternoon together, discoursing of ways to get money, which I am now giving myself wholly up to, and in the evening he went away and I to my office, concluding all matters concerning our great letter so long in doing to my Lord Treasurer, till almost one in the morning, and then home with my mind much eased, and so to bed.

I eat snow and count
all the way to one

I am giving myself up
to the stone in my mind


Erasure poem derived from The Diary of Samuel Pepys, Thursday 11 December 1662.

The Noble Plan

river in November light between bare woods and mountain
"Make no little plans."
~ attributed to Daniel H. Burnham



Like most everything else, it began
as a kind of dream. But grand, both

in scale and purpose. Each instance
toward the manifestation of the dream

became practice, a testing of principles
first laid out on drafting paper, to bring

a sense of imperial order to the new colony
in the East. Outward from the core of government

and the hub for commerce, a network of radiating
grids laid upon the wilderness. Here, the air

was bracing and fragranced with pine: a tonic
for those languishing in the provinces'

tropical heat and malarial fevers. After
the roads, a sanatorium was built on a hill:

as charming as any in Simla or the Swiss alps,
promising rest and recovery for the tubercular;

fresh food and sunlight. A City Beautiful,
whose monuments and buildings were scaffolds

for ideals of civic and moral virtue— whose site,
cleansed of unsightly elements, would support survival,

beckon trade, arrange functions for urban refinement and
aesthetics. An eye for immediate defense and a long future.

Ground-truthing

Sam Pepys and me

This morning rose, receiving a messenger from Sir G. Carteret and a letter from Mr. Coventry, one contrary to another, about our letter to my Lord Treasurer, at which I am troubled, but I went to Sir George, and being desirous to please both, I think I have found out a way to do it. So back to the office with Sir J. Minnes, in his coach, but so great a snow that we could hardly pass the streets. So we and Sir W. Batten to the office, and there did discourse of Mr. Creed’s accounts, and I fear it will be a good while before we shall go through them, and many things we meet with, all of difficulty. Then to the Dolphin, where Sir J. Minnes, Sir W. Batten, and I, did treat the Auditors of the Exchequer, Auditors Wood and Beale, and hither come Sir G. Carteret to us. We had a good dinner, cost us 5l. and 6s., whereof my share 26s., and after dinner did discourse of our salarys and other matters, which I think now they will allow.
Thence home, and there I found our new cook-mayde Susan come, who is recommended to us by my wife’s brother, for which I like her never the better, but being a good well-looked lass, I am willing to try, and Jane begins to take upon her as a chamber-mayde. So to the office, where late putting papers and my books and businesses in order, it being very cold, and so home to supper.

I try a trouble
I have found out back

so great a snow
we hardly count

and many things become
other matters now

new to rot
like a well-looked-at paper


Erasure poe derived from The Diary of Samuel Pepys, Wednesday 10 December 1662.

Catastrophist

Sam Pepys and me

Lay long with my wife, contenting her about the business of Gosnell’s going, and I perceive she will be contented as well as myself, and so to the office, and after sitting all the morning in hopes to have Mr. Coventry dine with me, he was forced to go to White Hall, and so I dined with my own company only, taking Mr. Hater home with me, but he, poor man, was not very well, and so could not eat any thing. After dinner staid within all the afternoon, being vexed in my mind about the going away of Sarah this afternoon, who cried mightily, and so was I ready to do, and Jane did also, and then anon went Gosnell away, which did trouble me too; though upon many considerations, it is better that I am rid of the charge. All together makes my house appear to me very lonely, which troubles me much, and in a melancholy humour I went to the office, and there about business sat till I was called to Sir G. Carteret at the Treasury office about my Lord Treasurer’s letter, wherein he puts me to a new trouble to write it over again. So home and late with Sir John Minnes at the office looking over Mr. Creed’s accounts, and then home and to supper, and my wife and I melancholy to bed.

my wife going
I dine with my own hate

my mind going
I am rid of the charge

in a melancholy letter I write
to my melancholy bed


Erasure poem derived from The Diary of Samuel Pepys, Tuesday 9 December 1662.

marbled

river in November light between bare woods and mountain
flame-colored and obsidian spokes, trapped in marble orbs—

children flick these into a circle, serious but at play.

to be ground-level, eye-level, and sense the tremble

of what you can't see beneath the only surface

you know: echos of passing traffic, daily clamor

from rushing to or from some important purpose.

describe this strange vessel which we inhabit,

our feet rushing to or from some important purpose.

you know the echoes of passing traffic, daily clamor

of what you can't even see beneath the only surface.

meet it ground-level, eye-level, sense the tremble

as childen flick globes into a circle, serious but at play.

flame-colored and obsidian spokes, trapped in marble orbs—

Apnea

river in November light between bare woods and mountain
A high pile of pillows in bed, tufted 
mattresses, double-lined quilts. Side

sleepers, face-down sleepers, flat-on-
the-back sleepers chasing the elusive

dream of sleep. But we lose count: sheep
show no signs of quitting their high jump

marathons. The moon keeps training
its too bright spotlight through

the window. Is it that we've grown
too soft, too dependent on the idea

of sinking as release? In one museum
alcove, shelves of wooden and porcelain

takamakura, curved to cradle the neck and
head of the sleeper in such a way as to

provide both a cooling effect and preserve
elaborate hairstyles. Perhaps they were on

to something, all those geishas and others
who lay on a mat and rested their heads

on these pillows, even while entertaining
the suitor that slid into the chamber at night,

having first slipped a poem of supplication
into the hands of a lady-in-waiting. Soft

light from the moon filters through screens
as though it did not have an iron core

and a silicate mantle. When I purchase
a sobakawa or pillow filled with buckwheat

hulls, I'm thinking only of how tilting
the chin upwards lifts the tongue away from

the back of the throat, straightening the airway
to better aid the flow of air into the lungs.

Breathlessness can be involuntary; can
also be the climax of heightened emotion.