Crystal-clear at sunrise. Every morning more yellow—daffodils, spicebush. Leftover from winter, the bone-white branches of tulip poplar that squirrels have stripped to line their dreys.
A spit of rain in my face at sunrise, despite the lack of clouds—classic April. It’s cold. The miniature daffodils have been blooming for a solid month.
Dark and overcast at dawn. The creek has subsided—a hubbub rather than a roar. The cardinal who roosts in the red cedar next to the house calls once at 6:03 and goes back to sleep.
In the pre-dawn darkness, nothing but the sounds of rain and water. A low rumbling comes from the hole in my yard that leads down to the stream just before it emerges into a spring.
The all-night rain doesn’t let up for dawn. The dim light spreads from the southeast, where the waning moon must be, to the east. It’s April. Fools and poets rejoice.
Red sunrise. To the south, the moon has gone flat on one side so it resembles a giant ear for the first crow to yell into when it created the world. The chanting phoebe clearly has no inkling.
A goldfinch foraging alone in the crown of a birch continues to warble, intonation rising and falling as if still in conversation with the flock. The sun muscles up through the ridgetop trees.
A band of salmon-colored cloud above the horizon half an hour past sunrise. From the top branch of a walnut tree, a brown-headed cowbird sings his single, complex note.
The briefest opening in the clouds for sunrise. The first brown thrasher drops by to sing a few bars. Then the squeaky wheels of goldfinches, converging on my mother’s feeders.
Red spreading from the clouds to the western ridge. Robin, cardinal, phoebe: the early-spring trio, joined by a downy woodpecker on percussion with a high-pitched dead limb.