Robin song echoes through the fog. My neighbor drives past on the tractor. In the wake of its rumble, a towhee’s eponymous call.
Crows call through the fog. I open my book to a haiku about crows calling through fog. Having melted a bit, the snow is again a blank page.
Late morning and the rain stops, the fog lifts to reveal the same snow-clad mountain as before. The distant sound of an engine being revved.
The creek is high and loud. I try to film the fog but it retreats. The sky appears behind the trees as if blinds had just been pulled.
Small clouds rise from the decaying snowpack and drift off through the trees. In the yard, a vole’s tunnel system is beginning to emerge.
Foggy and damp. Small flies—or large midges—drift back and forth. A few branches high in the big tulip tree appear to be freshly debarked.
The fog slowly thins, revealing gray-green patches of rejuvenated lichen on tree trunks and limbs. The year pivots on its hinge.
It’s our local Christmas Bird Count, so every drip of cold rain or moving shape off in the fog might be a bird. But none are.
Thick fog, returning to the forest its foreignness—the sense that any sound could be a footfall, that the rain is a many-legged beast.
Fog moves back and forth over the snow as the rain thickens. Two hunters emerge, a girl and her grandfather—blaze-orange among the gray.