Shreds of clouds disintegrate as they drift toward the east. Sun on wind-tossed mountain laurel leaves—the whole hillside shimmers.
Sunrise. I watch the slow drift of contrail graffiti: I, I, I at cross angles, until they merge and disappear into spreading clouds.
Classic November sky, with here a light patch and here a dark—a full palette of grays. Wind riffles the oak leaves, now more brown than red.
Clouds darken. The wind carries the sound of lawnmowers. When the rain starts, it feels like an unresolved chord finally returning home.
Low clouds fly east to west. From above the road, the loud snap of a phoebe’s beak on the spot where some fly had been a moment before.
Soft light filtered by a film of cloud. A squirrel carrying a freshly exhumed walnut bounds under the broken dog statue and into the lilac.
In contrast to the clouds, the snowbank beside the driveway is shrunken and gray, like something left too long at the back of the fridge.
It’s cold. I lie in bed listening to a bluebird. When I emerge onto the porch an hour later, the first blue holes are opening in the clouds.
In the wake of a slow-moving cloud, sunlight spreads through the woods trunk by trunk, branch by branch like a contagion none can escape.
The sun rises above a mass of cloud looming like the lost, real mountain for which this is a foothill. A wren pops out from under the porch.
Cold and bleak. The clouds part above the ridge: a circle of blue bisected by a wide, shining contrail, the jet roaring just out of sight.
Cold and windy, but the scattered cumulous clouds barely move. Up on the ridge, the plaintive call of a turkey separated from her flock.
The lace-work of leafless treetops against the clouds. No wonder the dead cherry with its cluster of six limb-stumps reminds me of despair.
Cumulus clouds at two different heights: the lower ones move twice as fast. Lower still, a scattered flock of robins going the opposite way.