Clear and still. In the corner of what used to a lawn across from the springhouse, the limbs of a fallen tree shine white with frost.
Plummer’s Hollow
Clear and cold. I shut my eyes against the sun, and the lace-work of tree branches reappears in white on the red canvas of my eyelids.
Clouds creased above the sun’s bleary eye. On the sage leaves, hair-thin frost crystals point in all directions—a disheveled pelt.
Sunny and cold. A nuthatch lands on the dead cherry and begins a close inspection of the limbs, dapper as an accountant in his gray suit.
Rain. I’m mesmerized by the driveway puddles, how rings of ripples form and overlap, each raindrop magnified at the point of termination.
With the leaves down I can see not only farther, but deeper: through a maze of lilac branches, I spot a rabbit when its dark eye blinks.
Crows and ravens squabble over deer gut-piles in the woods. Dirt flies at the woods’ edge as a groundhog enlarges the entrance to its den.
The sound of an altercation among the goldfinches—like a dozen jazz soloists playing at once. The only cloud in the sky finds the sun.
Every branch and twig is white with rime, and overhead, a latticework of contrails. Three crows skim the treetops on their way to a mobbing.
Cold at sunrise. A squirrel gathers clumps of dry leaves from the last oak to still have them and stuffs them into the top of a hollow snag.
Chickadee and nuthatch alarms are ringing over something in the tall weeds. A squirrel pauses beside the porch to scratch its ear.
A rabbit wanders back and forth in the half-light of dawn—a nervous eater, hunched around its hunger. When it freezes, it almost disappears.
Dawn light turns everything briefly to gold: house, trees, the three deer that run a short way into the woods and stop, nostrils flaring.
The clouds part just above the horizon, where a weak sun glimmers like a bonfire among the skeletal trees. Distant shots ring out.