I sit admiring the stillness and symmetry of a brown moth on the freshly painted white rafters—a moth that turns out to be, alas, a leaf.
Sitting under the portico while the paint dries on the porch. The crickets sound different here. A phoebe calls for the first time in weeks.
Neighboring chipmunks locked in a chipping contest: when one falters, the other pauses, too. The crowns of the oaks slippery with sunlight.
Rain starts almost imperceptibly, thickening from shimmer to mist to curtain. Early goldenrod and white snakeroot are both fading to brown.
Riddle me this: Because of the heavy acorn crop, next summer we will see more roses. And this: the oak forest moves north on corvid wings.
I glance up from my reading to meet the sun’s bleary eye. A squirrel bent into a ball, dangling tail curled left, pauses—a semicolon pose.
The doe is turning from the top down, like a mountain: summer’s red has receded into her legs and belly. On the fawn, just five faint spots.
Every overcast morning is overcast in its own way. This one’s dull and slow, a gray squirrel on a small dead tree licking its genitals.
Labor Day. A spring peeper at dawn. In the great silence, I can hear the approach of what will turn into drizzle: the thinnest of whispers.
Overnight, two maples on the far side of the road have begun to go orange. And between me and them, a small pale spider with her tiny prey.
From the rummaging of some small bird of passage, a shower of yellow walnut leaves into the yellow yard, the tall Solidago. A catbird mews.
Thin fog at dawn. From the woods’ edge, the familiar two-syllable call of a scarlet tanager sounds suddenly very much like goodbye.
Focused on the view, I never noticed how the porch posts framing it lean several degrees to the right. I wonder if my hearing also is askew?
Ah, the inversion layers of autumn! A hummingbird materializes in front of me, her approach covered by the din, and studies my bright shirt.