Sunrise. The bluebird warbles once, as if unsure whether it really will be that kind of day. The cardinal keeps singing his one good note.
Plummer’s Hollow
Querulous cries of a raccoon, like lost notes from a soprano clarinet. Two pileateds hammer for their breakfast—an arrhythmic percussion.
First light. The silence is broken by a rustle in the leaves, followed a little later by the hollow sound of a creek stone being flipped.
The sun glints off periwinkle leaves in the yard where snow has just melted. All sounds come from a great distance: crow, woodpecker, train.
Blue sky. The snow has retreated to the northwest-facing hillside under the shelter of the trees. A train’s whistle made wavery by the wind.
Sleet rattles on the roof like a fast typist. Two deer in the springhouse meadow: when they stop moving, they vanish into the brown weeds.
Out before dawn, I hear nothing but the drip of melting snow, gaze at a photographic-negative version of the woods: light ground, black sky.
This morning it’s the titmouse’s turn to sing his spring song—an ode to tedium. I’m grateful when it’s drowned out by a mob of crows.
The wistful two notes of the chickadee’s spring song. The gray clouds begin to turn pink. A rabbit dashes into the lilac when I stand up.
The wind moves snow back and forth across the ground like a restless sculptor. Trees creak and groan: a regular machinery of discontent.
Snow in progress: curtains that fall and fall until they become the show itself. A nuthatch like a prompter—its anxious calls.
This snow makes it so much easier to keep track of squirrels, their mad chases on the ground, through the trees—showers of white dust.
A branch breaks at the top of an oak, clatters through the too-loose grips of lower limbs and lands in the new snow’s too-shallow grave.
Flat white sky and a long, low rip of sound: some military jet. The first flakes drift back and forth, as if unsure of their destination.