At dawn, I watch the moonlight fading into the snow like the light going out of the eyes of a dying creature. The gurgle of the stream.
Plummer’s Hollow
Easter Sunday dawns clear and cold. The yard is stippled with fresh tracks. Quiet except for a mourning dove and a red-bellied woodpecker.
Five inches of fresh snow, the kind that clings to every twig. I catch a movement up in the woods: a deer raises its tail to take a shit.
The wind has smashed my chair, so I carry my coffee up behind the barn to watch the woodcock circling in the dawn sky. A satellite flares.
Windy and cold. The last three dots of snow visible from the porch have disappeared in the night. Overhead, a small window opens onto blue.
Hours of hard rain have brought out the green in tree trunks and branches, in laurel leaves, in moss. Even the fog has a slight green cast.
One degree above freezing, and something part-way between rain and snow is coming down, already half-melted, making an audible shush.
First crystal-clear morning in weeks. I sit watching the sunlight move through the trees and a distant jet trailed by nothing but its roar.
Yellow sun in an overcast sky: how is this possible? It lasts for a couple minutes before fading into a bright smudge in a net of branches.
Bare ground now predominates in the woods, and the ditches are loud with snowmelt. Two gangs of crows meet in the air, yelling, circling.
A heavy inversion layer—I have quarry trucks for company this morning. Over the roar, from the corner of the field, the first singing robin.
Sunrise. I’m in a staring contest with a groundhog who just emerged from under the house. I blink, and he disappears. A piercing whistle.
Last night, I almost stepped on the porcupine—it could barely walk. This morning, on the cherry tree beside the porch, bright yellow wounds.
Weak sun. A “v” of northbound swans. Bass notes of a distant thumper car sound almost like a drumming grouse, except they do not stop.