Dawn comes during a break in the rain, building from one lone cardinal to a phoebe singing contest to a mob of crows. From the pipe under the road, a winter wren’s soft cascade.
Dark and overcast at dawn. The creek has subsided—a hubbub rather than a roar. The cardinal who roosts in the red cedar next to the house calls once at 6:03 and goes back to sleep.
The all-night rain doesn’t let up for dawn. The dim light spreads from the southeast, where the waning moon must be, to the east. It’s April. Fools and poets rejoice.
Red dawn with a moon like a searchlight sinking into the powerline cut. The cardinal debuts a new call with what sounds like a glottal stop in the middle: chee-er, chee-er.
Foggy at dawn with sound out of the east—the quarry instead of the interstate. Gray-green lichens glow on the rain-darkened trunks of sweet birches all along the edge of the woods.
Through two hats and a hood, the wind’s bitter whisper reaches my ear. Odd moans and creaking sounds issue from the trees, whose dark silhouettes stretch between two absences. Then first light and the cooing of doves.
Cold and still all the way to the stars, which are just beginning to fade. A barred owl calls once. The hesitant footfalls of a deer coming down to drink.
A song sparrow singing at first light as if it were March already. A quiet trickle from the spring. The moon gapes through the treetops, pale and hollowed out.