The early-morning air is already thick with the smell of heat. Sunlit rooms in a palace of leaves. The oriole’s glossy song.
Coffee in my left hand, I weed the herb bed with my right, muttering at the clover: out with you, foul sweetener! as my fingers turn black.
The first irises have opened in the night, some with red and yellow tongues, some with violet, sampling the morning air.
Overcast and damp. The yellow centers of fleabane flowers, closed for the night, are beginning to peek through their spiralled white lashes.
While the catbird warbles jazz, a chipmunk skitters to a halt on the rock wall, sits back on its haunches and scratches its crotch.
A breeze stirs the tulip tree from top to bottom, its four-fingered mitts rocking, cautious as the queen of England’s white-gloved wave.
Each glaucous leaf of the bleeding-heart has rolled its rain into one fat bead. I’m wondering: where have all the wood thrushes gone?
Phoebe in the barnyard, pewee in the woods. What is it about cleared land that turns a lilting refrain into a burden, a shrill work song?
A light drizzle. The one green leaf at the end of a branch on the otherwise dead cherry shakes itself dry and turns back into a hummingbird.
The brown mountain of two weeks ago is now astonishingly green. Nothing I saw abroad holds a candle to this view, with its scarlet tanager.
The French lilac, backlit by the sun, shimmers like a bright green sail against the still-open woods. A field sparrow’s rising trill.
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This will be the last new update until May 17th; I’m off to the U.K. to give a poetry reading and visit friends.
Two squirrels grappling or grooming on a thin tulip poplar branch, among nubbins of new leaves. One slips and falls 30 feet to the ground.
Up in the field, a turkey erects his traveling theater and poses for an audience of two. The first hummingbird hovers in front of my face.
A song so familiar it takes several minutes to register that this is new, the first I’ve heard it since last fall: common yellowthroat.